Art, Hoax, and Provocation: Artist Conversations with Antoinette LaFarge
Upcoming Events (listed in Pacific Time), signup form at the bottom of the page
November 10 at 5pm with Peter Hill
Peter Hill is a pioneering artist of fictive works who coined the term “superfictions” and is known for creating the fictitious Museum of Contemporary Ideas and a great many artistic alter egos, each with their own styles and often intersecting back stories. His exhibitions have been showcased at the California Institute of the Arts, Los Angeles, the Glasgow School of Art, Dublin’s National College of Art and Design, Shanghai Normal University, Museum of Contemporary Art, Los Angeles, and Sydney’s Museum of Contemporary Art Australia.
December 8 at 5pm with Iris Häussler
Iris Häussler is a Canadian-German artist based in Toronto, who has had several controversial exhibitions across Canada and at the Art Gallery of Ontario that question the presumed assumption artists must be truthful to their audiences. Häussler’s genre-defying art is often interactive and immerses audiences in the fictional worlds of invented artists from past eras such as Mary O’Shea and Sophie La Rosière.
January 12 at 5pm with Beauvais Lyons
Beauvais Lyons is an artist and professor at the University of Tennessee, Knoxville, who is best known as the Director of the fictional Hokes Archives, which focuses on exploring invented ancient civilizations. He has also created the Association for Creative Zoology to highlight nonexistent ‘extinct’ species, and a number of other projects that examine the ways in which we construct knowledge. The comprehensive Hokes Archives includes fictitious works of art dating back to 1901.
March 2 at 5pm with Lenore Malen
Lenore Malen is an interdisciplinary artist and professor in the Art/Media/Technology Program at Parsons/The New School, based in New York. She is perhaps best known for her dystopian works exploring virtuality and the post-human as well as her creation of The New Society for Universal Harmony, a fictionalized utopian society supported by a written manifesto, pseudo-documentary photos, and other archival documents, displayed at various international exhibitions. A recipient of a Guggenheim Foundation Fellowship, Malen is also an art critic and the former executive editor of the College Art Association’s quarterly publication Art Journal.